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My entry into quality audio came in when I returned home from the war. I had saved some money from my combat pay and I wanted to upgrade my audio system. At the time I was listening to early Dynaco solid state electronics which I built as kits.
I had been researching all the great products that Marantz made, and they were clearly superior to any of its competition. I wanted to go Marantz separate components but all I could afford was their Model 18 receiver. So I bought one on a military discount while I was still overseas, without ever having listened to it. What a beautiful product it turned out to be. Fortunately it sounded as good as it looked. It was a combination between the Marantz Model 15 power amp and the Model 7T preamp.
The Model 18 receiver had a FM multiplex processor builtin which was modeled after the one in the Marantz 10B tuner. The 10B was legendary for its sound and still is. To get just a taste of that sound at a reasonable, but not cheap, price was a joy.
Of course, the Model 18 was solid state all the way through, unlike the famous high end tubed Marantz components. It was, however, state of the art solid state for its day. Years later I would buy a used 10B and two Model 9 mono-block amps. Now that was listening bliss! Like the 10B the Model 18 had an oscilloscope builtin.
The scope was smaller but still very functional. It was a great aid in tuning-in stations as well as evaluating such things as stereo separation and phase. I once called a well-known Boston radio station to tell them that they were broadcasting out of phase. At the time I was listening more to FM than playing records. FM radio stations at the time offered exceptionally sound quality and program material. I had a Garrard Lab 80 turntable which was not that exceptional. The Model 18 brought me great joy.
It was beautifully made and offered quality sound at a not too unreasonable price. This was the last product that Saul Marantz was personally involved in designing and making. He had to sell his company to help pay for the development of this product and recover some of the losses he experienced from having to sell the 10B at a price below what it actually cost him to make. Today, the Model 18 is considered a classic. Used ones in good condition, especially if the scope still works, will require a substantial investment.
Reflecting on the Model 18 made me think of young people just getting started in audio today. What should they buy? What is the entry level for them to the enjoyment of quality audio.
Fortunately today, not everything is MP3. Vinyl has made a comeback. High resolution streaming is now on the scene. What is equally important is that the price of entry level has come down. I see two avenues: one vinyl and the other streaming or downloading digital music files. The vinyl path is a little more expensive, however. The Audio Technica AT-LP60 is an excellent turntable, but to get into a more emotionally involved sound would require a better turntable and preamp combination. Let us start with the turntable, tonearm, and phono cartridge.
Each component is exceptional. Not only that, but they have already been setup and optimized in advance. This combination offers an engaging and lively sound that outshines all of its peers. Other tables which might have more expensive phono cartridges do not have the precision bearings of the Rega.
Rega spends money where it counts the most. A separate phono preamp will be needed, however, since the Rega has no builtin preamp. A lot of money can be spent on a quality phono stage. On the digital side, the route to take is MQA.
It sounds great. See Time Smearing for further information on downloading. Moreover, the Red is an audible improvement over the Black. It only works with an Apple computer as of now. We have some amazing options today for getting into good sound — not just good sound but very good sound.
This will help introduce many young people to the quality of sound that, heretofore, could only be attained through very expensive audio components. If we do not bring young people in then great audio will just fade away because of the barrier of overpriced high end components that only rich people can afford. But cables costing as much as automobiles? In some cases they do offer improved sound, but not that much improvement.
Young people are not into buying products for vanity reasons. They are just too smart. How would you like to upgrade your audio system to exceptional performance? I am talking about a very low cost and simply upgrade that you can do in the privacy of your own home. Let me start with vinyl. I love the sound of vinyl as many audiophiles do.
There is so much music recorded in those grooves. But to be fair, the get the best out of those vinyl grooves one needs some very expensive equipment.
The turntable, tonearm, cartridge, and phono preamp has everything to do with the sound of vinyl. Over the years vinyl playback has improved significantly. We have discovered a lot about the proper setup of the playback equipment over the years. More could be said, but suffice it to say that a long development time and greatly engineered products have restored the vinyl as a premium playback system. Much credit should be given to the wonderful audio reviewer Michael Fremer, who never gave up on vinyl.
Have we learned as much about the relatively new digital playback system. Probably not, but I believe that digital is starting to come into hits own. Early digital playback equipment did not seem to help matter much, even on expensive machines.
But over time the CD players have improved — better transport decks and digital to analogue converters. Very expensive players do sound a little better today, but they may have become obsolete. Clearly, reading digital music files from static computer memory has an engineering advantage over any spinning CD.
We can download digital files, even high-resolution ones, and get a better sound source. But there is another element which is now starting to be understood. And I believe this element will revolutionize digital sound in many ways. What am I talking about? Bits, I am talking about bits. All bits are not the same.
Theoretically they are. Their timing, however, is critical. Jitter can ruin the musical waveform. We must extract all the bits carefully without smearing the digital information stored.
One way of doing this is through high-resolution digital audio. But hi. These recordings use oversampling of the bits as well as higher bit rates of processing power. It is easier to get better sound from the bits with these techniques. What about improving the sound of 16 bit 44 kHz? What about all of our legacy digital recordings? Can they be improved? It turns out that there is much more music in those bits than we thought. Sophisticated processing of the bits can make a huge difference.
Apple iTunes does not use hi. It does not even use CD quality playback. But Apple has shown that even its AAC recordings can sound much better careful attention to detail. What they are doing we are not quite sure, and they will probably not tell us.